However, Dr OctoRex is capable of much more than simple loop playback. Individual slices from within each loop can be triggered with MIDI notes: The available parameters include the basic Pitch, Pan, Level and Decay, plus Rev, which toggles reverse playback for the selected slice. Hidden Depths? The major new feature in Record 1.
It processes incoming audio, detecting pitches and automatically shifting them up or down to the nearest correct note, where 'correct' is determined by the processor's settings.
Neptune's user interface makes this easy. Custom scale variations can be created using the small 'keyboard' buttons beneath the central display, toggling notes on or off to include or exclude them.
Formant correction is included, to avoid overly artificial 'munchkinised' vocals, and by adjusting the Shift knob you can 'gender change' vocals, more or less realistically, in either direction.
There are functions included to help with potentially problematic input signals. In Automatic mode, Neptune implements what it calls Catch Zones, which are pitch ranges within which an incoming note must fall in order to be caught and corrected. Neptune also supports MIDI input, which can be used as an alternative method for supplying target pitches. Instead of relying on scales and Catch Zones, you can simply play or program MIDI notes to serve as targets for incoming notes.
In this way, you can switch freely between modes on the fly, using Automatic correction wherever it suits you, dropping occasional 'override' notes from your MIDI controller. MIDI input can also be used with Neptune's voice synthesis functions. When these are activated, Neptune generates additional synthetic voices at pitches determined by incoming MIDI notes. Playing notes or chords on your MIDI controller, you can create harmonies to complement your original vocal, even while it's having its own pitch corrected.
Neptune is easy to use and capable of striking results. The device is not limited to use on vocal sounds, of course. There are other enhancements too: When Reason 5 and Record 1. However, it can just as easily be patched to any available audio output in the rack, including those belonging to Reason's own instrument and effects devices, allowing you to sample their output just as you would an external source.
Samples can be recorded in either mono or stereo. The sight we thought we'd never see: In all cases, the sample recording window is the same, and it couldn't be much simpler or easier to use.
One button halts sampling and closes the window. Another restarts sampling from the beginning, overwriting any sound already in the buffer. A simple but effective sample editor allows you to trim and tidy up your recorded audio. The Edit window is only slightly more complicated than the recording window. The waveform display is larger, and zoomable, and allows selections to be dragged across it. Loops can be crossfaded, as required. Both the recording and editing windows can be called up and used without halting sequencer playback.
However, while it would certainly be possible to record and compile basic vocal or instrument parts from sequences of samples, there are certain practical limits: For serious tracking, therefore, Record is still the way to go.
Kong and Dr OctoRex are powerful new instrument devices for Reason. Cons Length of recorded samples limited to 30 seconds in Reason. Summary An irresistible upgrade for existing users of Reason or Reason and Record. Monotone Bass Synthesizer Tailor-made for deep basslines, this is exactly what you need to add that rumble and punch to your low end. Subtractor Polyphonic Synthesizer Warm, straightforward and easy to use. Subtractor is most Reason users go-to synthesizer.
Kong Drum Designer 16 pads of complete inspiration. Use samples, synthesis, physical modeling and effects to build the drum machine of your dreams. Rytmik Drum Machine Modern and sleek drum sounds in no time — Rytmik is where beatmaking starts. If you like the classic pattern based machines from the 80s, then this one is for you.
Octo Rex Loop Player Versatile and flexible loop player that turns static loops into playable musical instruments. Or sample and build your own! NN Sampler Quick and easy sampler with an intuitive workflow and plenty of real-time modulation capabilities.
When all you need is quick access to your most used instruments, ID8 is there for you. Radical Piano The premise is simple. The results are stunning. Klang Tuned Percussion Glockenspiel, music box, wineglasses and a whole lot more.
Results 1 - 25 of Propellerhead Reason 5 License Code READ DESCRIPTION! Instant Important Note: Do not buy if you want to upgrade to reason Propellerhead Software Reason 5 review Now Reason 5 is here, and following what seemed like an eternity tinkering with the restricted . too, but when you look at how little extra it costs to get all of Record's amazing functionality, . How using cheap old hardware can give you an authentic lo-fi sound. Reason is a digital audio workstation for creating and editing music and audio developed by . In Reason version , Propellerheads added the long-desired VST support. Reason 5 was released on 25 August .. MClass Stereo Imager – This splits the incoming audio into low and high frequency bands, and allows.
Meanwhile, sister application Record continues to develop too Reason is Propellerhead's flagship sequencing and virtual instrument package, which has been featured in SOS many times — not least in the regular Reason Notes column — and has now reached version 5. Record 1. Owners of Reason 4 and Record 1. More extensive documentation is also provided in PDF format. Song mode behaves exactly as Arrange Mode did in previous versions.